/ Flujos
Flujos I
Flujos II
Flujos II
Flujos I
El desarrollo de la serie Flujos plantea el proceso de creación como una búsqueda con el que consigo destruir al sujeto, pero a su vez transformarlo y crear otro nuevo, encerrándolo en una de las capas de la copia.Mi trabajo ha consistido en prestar atención a la fragilidad de estas imágenes impresas, mojándolas con agua, transformándolas o hinchándolas, para así desteñir su imagen y estropear su superficie, recordándonos, de esta forma, la caducidad del medio fotográfico a la vez de la caducidad del propio sujeto, con el propósito de explorar no solo los límites del medio fotográfico, sino también la utilización de la imagen en los procesos de identificación del sujeto contemporáneo.
The development of the my recent body of work entitled Flujos outlines the process of creating as a search. In this search I destroy the subject, but in turn, I transform and create a new one, by enclosing it in one of the layers of the copy.My work has payed attention to the fragility of these printed images, wetting them with water, trans- forming or swelling them. Doing so, I could fade the image and spoil the surface, reminding us, the expiration of the photographic printed image but also the lapse of the subject for the purpose of exploring not only the boundaries of the photographic medium, but also the use of the image in the process of identifying the contemporary subject.
The development of the my recent body of work entitled Flujos outlines the process of creating as a search. In this search I destroy the subject, but in turn, I transform and create a new one, by enclosing it in one of the layers of the copy.My work has payed attention to the fragility of these printed images, wetting them with water, trans- forming or swelling them. Doing so, I could fade the image and spoil the surface, reminding us, the expiration of the photographic printed image but also the lapse of the subject for the purpose of exploring not only the boundaries of the photographic medium, but also the use of the image in the process of identifying the contemporary subject.